A couple of weeks ago I talked about setting up structure for a drawing in the post Drawing Basics: Structure. I thought I'd quickly post something showing that the same technique can be applied when painting.
Find the Simple Shapes and Capture the Outlining Edges
Just like before, I find the simple shapes within the object and draw the outlining edges the object. Here I have found the basic outlying shape of the pear.
(I am painting on a panel with a neutral gray gesso. The paint I am using to draw the outlying edges and structure is raw sienna.)
Volume and planes |
Volume, Find the Surface Planes
Again, I look for the volume of the subject. Just like in the other post I am looking for the surface planes and where they shift directions to determine the volumetric shape. I will draw the edges of the surface planes on the object for reference when I model the form later.
Light and Shadow |
Then I define the light side and the shadow side and delineate that with a line separating the two. Now I am ready to lay in some paint.
(I will begin modeling the form by massing in the shadow side with a dark value and the light side with the appropriate value. I will cover that and the details of render form later.)
Render the Form
Pear Painting |
If you are interested in trying this and have some experience with oil paint, you don't have to do this exercise with a pear, any object will do. Pick something that has enough of an interesting shape but not something overly complex. Then give it a try. Once you have done this you will have painted your first still life. If you are not familiar with oil paint I recommend trying the drawing exercise first.